馬拉松東奧之路(最新達標方法&港台形勢)去年初 簡述了東京奧運馬拉松項目的資格。鑑於男女子馬拉松的名額減至80人,故設立了(1)女子2:29:30及男子2:11:30為達標時間。(2)運動員在特定馬拉松賽事取得前列名次會 直接等同跑進達標時間。除了達標時間,東奧馬拉松也引進世界田總的 積分排名…Dec 19, 2020Dec 19, 2020
舞知之孜:以身作應Montero提出了一個重要的認知問題:到底舞者經年累月的訓練,是否讓他們更能看到舞蹈演出是怎樣的?Conroy嘗試反駁Montero提出的數個論據。首先,舞者觀舞時所描述的身體感應,其實沒有受過舞蹈訓練的觀眾或評論人也會有。至於功能磁振造影顯示舞者在觀賞自己熟習的舞蹈動作時,大…Dec 10, 2019Dec 10, 2019
舞知之孜:經驗實證為基礎的舞蹈哲學前景過去數期《舞蹈手札》曾介紹了不同學者觀點,例如Montero認為神經科學顯示舞蹈訓練對理解舞蹈演出的審美特質有正面影響,而McFee則堅稱當代神經科學與藝術的哲學反省並不相關。David Davies於文章探討:到底藝術哲學應如何顧及經驗科學的發現呢?Dec 3, 2019Dec 3, 2019
1ogether, a statement of PPassoverdance was established in 1993 and has been restructuring since 2008. It is undeniable that the company is part of the map of Hong…Jun 18, 2019Jun 18, 2019
舞知之孜:舞蹈的動覺理解與欣賞Noël Carroll及William P. Seeley提到John Martin的「元動覺」(metakinesis)理論是受到Theodor Lipps早期移情(empathy)理論所影響。Lipps指移情乃我們知覺非動物(inanimate…Jun 18, 2019Jun 18, 2019
An informative performance, but what remained unsaid?Asia Pacific Dance Platform of the Hong Kong Arts Festival has come to the 11th edition. This year the platform consisted of two…Apr 14, 2019Apr 14, 2019
Rolling in the Hope of FateIn early November of 2018, a series of images with a huge silvery ball popped up in social media and caught my eyes. This series was the…Feb 11, 2019Feb 11, 2019